30 Studies for the Anglo Concertina
Table of Contents
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Section |
Page |
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Preface |
9 |
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Introduction and General Overview |
10 |
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Part I: The Art of Phrasing |
12 |
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· The American Fiddle Styles: The Bellows as a Bow |
13 |
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· Independent Two Voice Movement |
14 |
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· 6 G’s 6 A’s: The Genius of the Concertina |
14 |
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· Wheatstone vs. Jeffries Fingering System |
15 |
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· How to Use this Book |
16 |
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· The Process of Learning |
17 |
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· Explanation of Notation |
19 |
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· Major Scales |
21 |
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· Sources of the Repertoire |
25 |
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· List of Studies |
26 |
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Part II: Thirty Studies |
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· Study 1A: Preparation of the Hand ~ Shoes and Stockings |
28 |
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· Study 1B: Reverse Fingering ~ Shoes and Stockings |
34 |
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· Conclusion of First Lesson |
38 |
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· Basic Studies Continued |
39 |
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· Study 2: Understanding the Three A’s ~ Shooting Creek |
39 |
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· Study 3: Combination of the Keys of G and D, Introduction to C sharp ~ Flop-Eared Mule |
42 |
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· Study 4: Moving Freely Across the Rows in the G Scale ~ Santa Ana’s Retreat |
44 |
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· Study 5: Moving Freely Across the Rows in the G Scale (Reverse Fingering) ~ Santa Ana’s Retreat |
46 |
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· Study 6: Pairing Principle and Smooth Phrases ~ Jump Jim Crow |
48 |
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· Study 7: Using Alternating Sides for Rhythmic Dynamic ~ Old Molly Hare |
50 |
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· Study 8: Introduction to the Key of A ~ Granny |
52 |
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· Lyrical Phrasing |
54 |
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· Study 9: Split Triplets and Elaboration of Melody Line~ Shoes and Stockings, elaborated version |
54 |
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· Study 10: Maintaining Symmetry in Phrasing ~ Ebenezer |
56 |
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· Study 11: Sweeping Arpeggios ~ Swinging on a Gate |
58 |
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· Study 12: Imitating the Appalachian Long Bow Style ~ Lady of the Lake |
60 |
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· Study 13: Double Stop Harmonies ~ Shady Grove |
62 |
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· Study 14: Introduction to Counterpoint ~ Two Friends Quadrille |
64 |
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· Study 15: Moving the Axis of the Hand ~ Bill Cheatum |
66 |
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· Study 16: Introduction to the Key of C ~ High Yellow |
68 |
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· Study 17: Introduction to the Key of F ~ Hull’s Victory |
70 |
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· Rhythmic Studies |
72 |
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· Study 18: Double Stop Study in D ~ Chicken Reel |
72 |
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· Study 19: Double Stop Study in A ~ Cluck Old Hen |
74 |
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· Study 20: Using a Repeated Chord as a Rhythmic Device ~ Blackberry Blossom |
76 |
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· Study 21: Imitating Shuffle-Bowing in the Lower Strings ~ 28th of January |
78 |
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· Study 22: Offbeat Counterpoint as a Rhythmic Device ~ Sally Ann Johnson |
80 |
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· Study 23: Imitating Bow Rocking on Alternating Strings ~ Fisher’s Hornpipe |
82 |
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· Study 24: Introduction to B Minor ~ Shamrock in the Galax |
84 |
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· Summary of Major Points in Studies 1 – 24 |
86 |
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· Harmony through Chords and Counterpoint |
87 |
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· Study 25: Counterpoint Study in G ~ Barlow Knife |
88 |
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· Study 26: Counterpoint Study in D ~ Rock the Cradle Joe |
90 |
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· Study 27: ~ Seneca Square Dance |
92 |
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· Study 28: ~ John Brown’s March |
96 |
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· Study 29: ~ Rose Division |
98 |
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· Study 30: ~ Flowers of Edinburgh |
100 |
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A Final Word |
102 |
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Appendix 1 – Note Finder |
103 |
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Appendix 2 – 30 Button Layout |
104 |